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What Catwoman Taught Me About Sexuality and Power
Wearing the catsuit and embodying Pfeiffer’s slinkiness as best I could in my awkward, skinny body, I understood for the first time that I could be a sexual being, not just a sexual object.
ThisisFallen Women, a monthly column by Lilly Dancyger on women coded as villains in pop culture, the power in their badness, and how they shaped fans for good.
Batman ReturnsReturns beautiful
I had a poster of Pfeiffer as Catwoman on my wall growing up, above my bed, her steely gaze protecting me from nightmares and intruders.
Lilly Dancyger is a Contributing Editor at Catapult and Assistant Books Editor at Barrelhouse. She's also the editor of BURN IT DOWN, an anthology of essays about women's anger, forthcoming from Seal Press. Her personal essays have appeared in Psychology Today, The Washington Post, The Guardian, and more. Her students and private editing clients have published work in prestigious publications, including Rolling Stone, The Guardian, New York Magazine, and Longreads. You can read Lilly’s work here, and follow her on Twitter here.
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Sure, sometimes she went a little overboard, trying to kill the executives rather than merely destroying their empires . . . but she had the right idea.
Dangerous Desire: On ‘Killing Eve’ and Finding Space for Queerness in a Straight-Passing Relationship
I recognize myself in Eve’s character because I don’t think Villanelle is just a woman she’s attracted to. Villanelle represents Eve’s queerness in general.
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You’re in the city, but you aren’t. You don’t have to spend any money. No one’s asking about your documentation. You don’t have to do much at all except for exist, and open your eyes.
There will be as many different iterations of this storm, and the ones to come, as there are Houstonians. And we have to hear them—they’re what will determine our map for the next one.
It’s easy to think—as Ray does in ‘The ’Burbs’—that you can know a lot about a person from what they value.