The Queer Gaze: How the Photography of William Gedney Taught Me to Look
Gedney immortalizes the carefree embraces between bodies of men who lean into one another in gentle, carefree repose.
What Was True,
What Was True
The New Yorker,
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For three centuries, the ghazal has been the most prestigious and popular genre of Urdu poetry.
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“I was worried that no one would see me; that they would only see a Wife”: On a John Singer Sargent Painting and Marrying Young
I see two people who are entwined, but never completely, and not at the expense of their separate selves.