What an American City Sounds Like
It’s a space where language is manipulated and contorted and pulled and borrowed. It sounds like everywhere and anywhere else.
I told the guy I didn’t mean it. He told me he didn’t mean it. We shared an awkward pat on the back, which turned into an even less graceful hug, and it felt like a metaphor for something else.
Bryan Washington is the author of Lot, with fiction and essays appearing in the New York Times, the New York Times Magazine, The New Yorker, BuzzFeed, Vulture, The Paris Review, Boston Review, Tin House, One Story, Bon Appétit, MUNCHIES, American Short Fiction, GQ, FADER, The Awl, Hazlitt, and Catapult. He’s the recipient of an O. Henry Award, and he lives in Houston.
Enter your email address to receive notifications for author Bryan Washington
Confirmation link sent to your email to add you to notification list for author Bryan Washington
More by this author
Montrose was unofficially codified as the nexus of queer life in Houston. If you held a map to the wall, I could tell you how we came to be on those streets.
More in this series
On a fast-growing city, food as culture, and why you can’t talk about Houston’s cuisine without talking about race.
We’d made a connection across tables, generations, tongues, our own tiny blip of transcendence. Holiness in the noodle bar.