“The themes of social justice, the magic of water, and the power of queer love to create a different world—these are themes that I return to again and again in my writing and my life.”
“Some stories just flow out of you and you try to keep up as you write them. This story was not like that.”
“When you feel like you have no power in a relationship, withholding becomes one of the only ways you can maintain the illusion of agency.”
“Inspiration came from the stupid pencil jar our family had when I was growing up.”
“It started with a voice—the young narrator telling me about her name.”
“For me, I guess fairytales are where I am simultaneously most at home, and most at odds with the world around me.”
“You can fall in love with a place in a way that’s just as made-up and selective as how you fall in love with a person.”
“I feel any person who has to deal with losing the one person who is their world has every right to do whatever it takes to self-preserve, even when that includes deflection and denial.”
“I have always been fascinated by the idea of women being monstrous and beastly because it ruptures the dominant Patriarchal ideal of the shy woman.”
“I wanted to address old-age sexuality, which is in general completely unmentioned in Taiwanese society.”
“I love that our stories are beginning to get the attention they deserve, but that’s not enough for me. I want more.”
“The idea here is the casual way children can accept and parrot this kind of simple, black-and-white math about worth. So much so that in a pinch they are willing write off their own mother!”
“I thought this exemplified two aspects of the Colombian spirit that interest and delight me: Any festive occasion can become an excuse to start a full-on party; and time is, as a manner of speaking, subjective.”
“I like melancholy and characters with weighty histories. I fell in love with Daniel. But I fall in love with all my characters.”
“I started thinking about immoral women, women who are not merely complicit counterparts to A Bad Man but active participants in cruelty.”
“When writing this story, I was thinking explicitly about a tendency in players to play games as murderous kleptomaniacs.”
“My focus was on the character and emotions of the immigrant: the loneliness, the sense of loss and disconnection.”
