In this once-in-a-lifetime master class for writers of every level, we’ll dismantle the short conceptual humor piece and discuss all the ways to write and publish brag-worthy jokes-cum-prose. There are many forms of comedic writing, from sketch to Sedaris, but this workshop will revolve around the 600-800-word variety à la McSweeney’s Internet Tendency and The New Yorker’s Shouts & Murmurs.
However niche and epigrammatic, we may apply these lessons, virtues, and exercises to all writing. In addition to honing bookish wit by understanding the form, techniques, and cheap tricks, students will also learn (so help me God) the fundamentals of submitting humor (how to: write a perfect pithy cover letter, build a bio, get paid, and sit in a chair).
- Brainstorm, write, and workshop a successful shortish parody/satire (or die trying)
- Learn the fundamentals of successfully submitting humor to publications
- A deeper understanding of short-form humor writing
- Learn about different humor outlets and which publications will be the best fit for your personal style
- Access to Catapult's list of writing opportunities and important submission deadlines, as well as a 10% discount on all future Catapult classes
Elissa Bassist edits the column “Funny Women” on The Rumpus. Her award-deserving humor appears on NewYorker.com, McSweeney’s Internet Tendency, National Lampoon, Jezebel, NYMag.com, this bio, and more. Formerly the managing editor of The Best American Nonrequired Reading and writer for The Mark Twain Prize for American Humor (honorees include Will Ferrell, Ellen DeGeneres, Carol Burnett, Eddie Murphy, & Bill Murray), currently Elissa writes cultural and personal criticism, and most recently her work is featured in the best-seller Not That Bad: Dispatches from Rape Culture, ed. by Roxane Gay.
"Elissa is a fantastic teacher. She really invests her time in you and made me feel a level of confidence as a writer that I haven't felt in a very long time."
"I’ve heard several breathless, fawning reviews (no joke) and I know the students were thrilled to have you here. Students were particularly happy that the workshop was focused on specific (achievable, publishable) kinds of humor writing (and not like, 'how to land a spot in the writer’s room of THE BIG BANG THEORY')."
“This class taught me so much about humor and also probably made me a better person (for learning how to see the humor in people). Before Elissa’s class I didn't really understand the value of spending time and energy on writing genres that aren't your primary interest. In her class I learned about using humor to write about sad stuff, which I'd never attempted before."
“Had a lot of fun with the class, and for the first time, I feel like I can write funny things (though I've always believed I'm extremely funny, and my friends think so too). Elissa’s enthusiasm and laughter are infectious, would definitely take a class with her again.”
"Thanks for coming back to the New School to teach us all how to be funny. Besides the valuable advice, I found your words about the business aspect of the writing and submissions helpful. I’ve got a funny novel I’m finishing, and I’ll put your advice to use soon."
"I have recommended this class to SO MANY PEOPLE. Elissa is an amazing teacher. She creates such an awesome environment where everyone generally wants to improve AND she can explain to you what isn't working without hurting your ego in the slightest. If it weren't weird, I'd take this class ten more times. Makes me think good things about Catapult."
"Elissa was extremely knowledgeable, supportive, and funny! I walked away with a stronger grasp of humor writing structure and technique. And thanks to Elissa’s supportive teaching style, I feel more confident as a writer and more comfortable expressing my voice. Elissa also imparted her knowledge of the creative writing process and shared her tools and techniques for generating ideas and tackling first drafts and revisions. These are practices that I’ll continue using after the class."
"Elissa is one of the most supportive and kindest teachers I've had, all while still delivering EXCELLENT critiques. She is a treasure!"
“Love your work on The Rumpus! You really do have quite a special, strong, funny voice. I LOVE YOUR WRITING! Have I not made that clear?”
“Elissa is too good for most anybody.”